This film MULAN 花木蘭is still the most advanced phase of Chinese martial arts film genre no matter how many historical inaccuracies we found.

''Any kind of social discrimination is to justify inequalities in class societies.'' A Fugitive from the Past (1965) embodies it.

Dir. Yoji Yamada is undoubtedly the most qualified successor of Dir. Yasujiro Ozu for both Shochiku and the entire Japanese film history.

Sean S. Cunningham defines so called 'unfinished business' and how to help dying people to get it done before their death.

There is no simple Hollywood dualism in Romero's THE CRAZIES (1973). Really an alternative to Hollywood traditional narrative structure.

Leviathan (1989) is not a spiteful anti Soviet propaganda effort of Hollywood. The entire crew of LEVIATHAN is a victim, too.

This is not a remake of the most important Hong Kong film master Sammo Hung's ''Enter The Fat Dragon'' (1978).

From the Queen to the Chief Executive (Dir. Herman Yau Lai To; 2001) is Herman Yau's best film because it touched the real political issue.

Sammo Hung (1952-) is the legendary martial arts star and his huge contributions to Hong Kong and entire Chinese film culture are enormous.

This film always referred as a homage and satire to Hitchcock films however it is quite independently satisfiable as a suspense comedy.

Reality for art is core of his aesthetics, thus it is ridiculous to separate art and genre efforts.

This student film is a master piece! All film students must see this Soviet film.

Dir. Tom McLoughlin as a comedy director actually added the humorous essence to this best Jason film.

The Mexican folklore is not an exception from his ambitious imperialist list for Conjuring Universe.

Pet Semetery (2019) should be focused on psychological aspect of the main characters.

Maybe cinematic comparison with Project A (1983) is effective for explaining seriousness of P Storm (2019).

How he came up with the idea of jiang shi? That is tradition of Chinese culture. Jiang shi is not just a hopping dead.

Like John Woo, He learned his film editing and constructing from Sergei Eisenstein mainly at Hong Kong film library.

It does not intend to 'consume' Mui but it is mainly dedicated to the idealistic image of Mui and her close loyal fans.

Hong Kong's crony capitalism is consciously and indirectly criticised in this film.